洪国祥讲述了:减法受产前抑郁困扰的法莎娜从雾雨车窗外望,瞥见丈夫贾拉身影进入高级公寓,怀疑他有外遇,贾拉却言之凿凿当天不在德黑兰。查探之下,竟发现另一对夫妇,相貌与他们雷同,俨如是彼此分身。对镜互照,看出自己的不足,也看出伴侣的缺陷,单纯的偶遇演变成纠结四角关系。掩映在暗黑光影下是希区柯克式悬疑惊栗,渗透于滂沱大雨中却是曼尼·夏希希对伊朗式婚姻、道德以至人性矛盾的深沉体悟;在神权政体下,人必须自我分裂甚至自我毁灭,方能让“我”活下去?
回复 黄维峰 :舞径《舞徑》是一幅投身芭蕾藝術的台灣人群像。以不同世代舞者之習舞歷程為經,從二戰後到現今的時間跨度為緯,呈現出芭蕾舞在台灣的發展現實。透過注視與傾聽舞者們的經驗與見解,交織成一篇對體制的探問,進而邀請觀者以更開放的態度重新理解「文化」與「身體」之間的關係。
回复 张翠廷 :大清后宫Star,asuicidalteennowtoooldforfostercare,developsacandidrapportwithAn,astudentfromShanghaiwhoisassignedtowatchherwhilesheisinhospital.Anightlyexchangeofsecrets,textmessagesandpossessionsquicklyexpandstheboundariesoftheirrelationship,alteringtheirinnerchemistry.Gildedbyasoundscapethatinterweavesworkbyemergingandpioneeringelectronicmusicians,QueensoftheQingDynastyisanoffbeatodetoneurodiversityandgenderqueerindividualswhorefusetoconform.DirectorAshleyMcKenzie’sblendofformalismandgrittyrealismdoesnotfailtosurpriseandtreatstheaudiencetoflashesofvisualandconceptualpoetry.Hercastisentirelycomposedoffirst-timeactorswhoconvincinglyconveyhowuniqueeveryindividualis,bothinhowtheyseetheworldandhowtheyrelatetoothers.ZiyinZhengintheroleofAngraciouslyembodiesamixofidiosyncrasyandfranknessthatmakesthemanidealconfidanteforStar(SarahWalker).TheyhavewhatittakestobeonthereceivingendofthescrutinisinggazeofStar,whoseesthroughconventionsandneverceasestobeamazedatlife’sbewilderingevents.Veeringonslapstick,Walker’sperformancewillnotgounnoticed.