陈凯正
回复 吴千光 :大清后宫Star,asuicidalteennowtoooldforfostercare,developsacandidrapportwithAn,astudentfromShanghaiwhoisassignedtowatchherwhilesheisinhospital.Anightlyexchangeofsecrets,textmessagesandpossessionsquicklyexpandstheboundariesoftheirrelationship,alteringtheirinnerchemistry.Gildedbyasoundscapethatinterweavesworkbyemergingandpioneeringelectronicmusicians,QueensoftheQingDynastyisanoffbeatodetoneurodiversityandgenderqueerindividualswhorefusetoconform.DirectorAshleyMcKenzie’sblendofformalismandgrittyrealismdoesnotfailtosurpriseandtreatstheaudiencetoflashesofvisualandconceptualpoetry.Hercastisentirelycomposedoffirst-timeactorswhoconvincinglyconveyhowuniqueeveryindividualis,bothinhowtheyseetheworldandhowtheyrelatetoothers.ZiyinZhengintheroleofAngraciouslyembodiesamixofidiosyncrasyandfranknessthatmakesthemanidealconfidanteforStar(SarahWalker).TheyhavewhatittakestobeonthereceivingendofthescrutinisinggazeofStar,whoseesthroughconventionsandneverceasestobeamazedatlife’sbewilderingevents.Veeringonslapstick,Walker’sperformancewillnotgounnoticed.
陈正茜
回复 叶怡伶 :恐惧2000德国，重新统一后。人民失控，对移民的盲目仇恨是常识。这一次，一名社会工作者，肩负着将一个波兰家庭带到他们的目的地的使命（一个移民营在一个) 一个叫拉绍的省级小镇)，和家人一样被绑架。总督察科恩和他的女朋友开始在拉绍调查这件事，探索一个充满强迫性性、误导性欲望和压倒一切的非理性爱情的世界。德意志民族，渗透任何人的心灵。种族主义不是从剃光头发和靴子开始，而是在社会本身的中间......起源未知？？
